<< MAC IZotope DDLY Dynamic Delay v1 01b
IZotope DDLY Dynamic Delay v1 01b
This spotter is already whitelisted
Category Applications
PlatformMacintosh
GenreAudio
Date 6 years, 4 months
Size 27.18 MB
Spotted with Spotnet 1.9.0.5
 
Website https://www.youtube.com/watch?v=J7UjL_PC3YE&amp;feature=youtu.be
 
Sender CaptainSalvoTeam (rYgT7Q)            
Tag CaptSalvo        
 
Searchengine Search
NZB NZB
 
Number of spamreports 0

Post Description

DDLY Dynamic Delay responds to your track's musical dynamics to create versatile and intriguing delays. It's a one-of-a-kind effects plug-in that delays the signal differently depending on the character of the sound, without turning your track to aural mud.

Adjust the threshold to split your signal based on transients, then send it down two separate analog or granular delay paths.

Get a cleaner, more complex sound than a traditional full-signal delay plug-in with DDLY!

Key Features

Two delays in one: DDLY analyzes your audio based on an adjustable threshold to determine what to send to the top delay and what to send to the bottom delay. Adjust the Intensity to affect how strongly the signal is split between the two—great for a punchy delay on the harder, transient crack of your drums and a shuffling delay on the main beat elements.
Customize your delay: Both delays have two modes to choose from: Analog or Grain. Analog produces warm lo-fi delays with smearing and nostalgic degradation. Grain produces melodic, symphonic, and futuristic sounds for truly new soundscapes.
Responsive interface: The interface of DDLY reacts to the material it’s applied to for unique real-time visual feedback. As the knobs come to life, your sound gets cooler. Go ahead, get ‘em all going!
Automatable: DDLY can be set up with automation in your audio host, to engage the dynamic delay on your mix when you want it to and back off when you need the raw material to shine.

DDLY on whatever you imagine

Any source with a strong dynamic range and expressiveness is a great candidate for DDLY, to build upon the dynamics rather than compress them. Try it on guitars to add delay and echo to only the loudest parts of a performance and not touch the more intimate moments. Try it on piano or synth tracks. Automate the delay over the course of your whole mix, to get intense on some sections and dial it back in others. Run wild! Be free!

nJoy!

Comments # 0