<< DVD5 Pink Floyd The Wall 1982 dvd
Pink Floyd The Wall 1982 dvd
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Category Image
FormatDVD5
SourceRetail
LanguageEnglish audio/written
TypeMovie
Date 1 decade, 2 years
Size 2.63 GB
 
Website http://horrornews.net/19536/film-review-pink-floyds-the-wall-1982/
 
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Actors: Bob Geldof, Christine Hargreaves, James Laurenson, Eleanor David, Kevin McKeon
Directors: Alan Parker
Writers: Roger Waters
Alan Marshall, Garth Thomas, Stephen O'Rourke
Format: PAL
Language: English
Subtitles: English, Spanish, French
Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
Aspect Ratio: 16:9 - 2.35:1
Number of discs: 1
Classification: Exempt
Studio: Sony Music
DVD Release Date: 7 Feb 2000
Run Time: 95 minutes

By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
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