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So how do you start with reviewing this album? Well, it helps a little I suppose to put it in perspective with their self-titled 1st album, which fans came to call "Blue Garden" because that's the title of the painting on the cover. It was straight ahead blues-rock at its finest. To Chris Goss's credit (and let's face it, he IS Masters of Reality), it sounded like it could have been recorded in 1970 (albeit with improved recording technology), though it was released in 1988. Just after New Wave died and just before grunge. This album was a kick-ass and refreshing stand-out-in-the-crowd album that unfortunately got lost in the Sea of Overproduced Hair Bands. You can still spot used copies on the original Def Jam label, though they are pricey. It's been re-released a couple times in the U.S. and reissues are easier to come by.
 The 2nd album, released in 1993, was Goss's shining moment to many fans. "Sunrise On The Sufferbus" (MoR's first on a "respected" label -- and I use that word respected very loosely) actually got some radio airplay for a few weeks with the song "She Got Me When She Got Her Dress On." The album sounded like it could have been recorded by Cream. Goss wrote and produced songs to achieve this effect, even emulating Jack Bruce a bit in his vocal delivery on the album. In the ultimate coup, he hired Ginger Baker as part of the band, who laid down some mighty drum tracks the way only Baker could. After the album tanked, Chris Goss and Chrysalis Records had a parting of the ways. Goss would eventually have to sue Chrysalis for control of his music so Sunrise could be re-released. He finally won, and it's widely available now.

 Now on to this album, "Welcome To The Western Lodge." I read something once that described the sound on this album. The term used was "metaldelic." A cross between metal and psychedelic. 

 It perfectly describes this album. Once again, Goss hits his mark! He decided to put out an album of this "new" sound (that's actually developed a larger following in Europe) to his fans and I, for one, think it's great. It's dreamy and spacy, yet heavy. The mix is decidedly thick, but then it's supposed to be. I must admit, it didn't grab me right away. I was a big fan of the first two albums. But by the third or fourth listen, I fell in love with his marriage of sweet/sour and soft/hard. His melodious vocal delivery on top of ominous guitar chords that hint of dissonance and command a "heaviness" not heard since Toni Iommi make for a very adventurous, yet listenable ROCK album. This album is not slick. It's not overproduced. It's just produced. It's Chris playing his heart out. It's what he believes in.

 If you want something "different" in your collection that defies the norm (there's no "label" for Chris's music), then this is it. This will give you the change you've been looking for. Then, after you fall in love with this album (and you have of course bought the first two albums), go buy "Deep In The Hole." 


Verenigde Staten
Rock
Label: Spitfire


1. It's Shit 
 2. Moriah 
 3. The Great Spelunker 
 4. Time To Burn 
 5. Take A Shot At The Clown 
 6. Baby Mae 
 7. Why The Fly? 
 8. Ember Day 
 9. Annihilation Of The Spirit 
 10. Calling Dr. Carrion 
 11. Boymilk Waltz 
 12. Lover's Sky 
 13. Also Ran Song